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The album is famous due to its role as a touchstone for the American folk music revival in the 1950s and 1960s.
The Anthology was released for compact disc by Smithsonian Folkways Recordings on August 19, 1997, as pictured to the right.
The anthology thus technically qualifies as a high-profile bootleg.
Folkways would later obtain some licensing rights, although the Anthology would not be completely licensed until the 1997 Smithsonian reissue.
In 1947, he met with Moses Asch, with an interest in selling or licensing the collection to Asch's label, Folkways Records.
When the Anthology was released, neither Folkways nor Smith possessed the licensing rights to these recordings, many of which had initially been issued by record companies that were still in existence, including Columbia and Paramount.
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The Anthology of American Folk Music is a six-album compilation released in 1952 by Folkways Records (catalogue FP 251, FP 252, and FP 253), comprising eighty-four American folk, blues and country music recordings that were originally issued from 1927 to 1932.
Experimental filmmaker Harry Smith compiled the music from his personal collection of 78 rpm records.
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